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  <a href="/blog/blog/7550788/mar-28-2025-12-26-am">Mar 28, 2025 - 12:26 AM</a>&nbsp;
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  <div class="message"><p>David birthday dinner tonight. It was a surprise party but i accidentally spoiled the surprise so he had to fake it. I was walking with a student rambling about my busy week. “And I got this david surprise party on Thursday!” I said, a bit too loudly. Of course he was sitting right there.</p><p>His gf, who set it all up, still doesn’t know he found out. So I do feel terrible about that. The LIES the LIES. I hate to lie.</p><p>I play in another band with david called Molly. I think that is the name that has stuck. We try to sound like the strokes.</p><p>But mostly I’ve been thinking about this new song I wrote at 2AM the other night. Unable to sleep with Alyssa beside me, I wrote the lyrics as a little poem on my phone. KEEP THE BRIGHTNESS LOW AS NOT TO WAKE HER!!</p><p>then I snuck to the back room with my guitar to lay it down. One of the few times I write the lyrics before the music. and i had a vision of just a classic rock type song with RIFFAGE.</p><p> </p><p>It may be out by now. it's the song that goes:</p><p><i>“We’re in real low place with the rock roll band<span> </span></i></p><p><i>Tuko says we might have to the sell the van</i></p><p><i>Break it all down on the lot for parts</i></p><p><i>Only play for pleasure when the weekend starts</i></p><p> </p><p><i>Tuko says that we gave it all we got</i></p><p><i>You really gotta know when it’s time to stop</i></p><p><i>But I’ve been dreaming of this all my life</i></p><p><i>The only other way im gonna (I’d ever) live is on the street</i></p><p> </p><p>Or something like that, I’ve been trying to get the lyrics where I want them as I am going to do the final vocal recording session tomorrow morning. I want the vocals to be smooth, Siamese Dream-breathy like, to contrast with the obvious rock n roll vibes of the music. The scratch vocals are more rugged. We will see what works. Whatever ends up having the most personality.</p><p>So that song is what’s been on my mind.<span> </span></p><p>I like it as an allegory for the musicians plight. Torn between a “normal” life and this Hail Mary desperate need for SUCCESS. And as I get older I feel the need to succeed in music more and more … because it’s the one thing I’m really good at. At least to garner a fan base. If I don’t make full time money off of it, I at least want a fan base to appreciate what I’ve spent all my life trying to perfect.</p><p>Just some thoughts before I go to sleep. Good people in my life. Did the drums for that song yesterday at Alyssa’s house with that Alesis kit. Double the snare up with that MT-kit. The free popular one. Was happy I didn’t have to do TOO much comping of the drums and that I’m getting better at knocking out solid takes to the click.</p><p>Anyway, just some thoughts to those who ever get interested in these songs. I’m really writing for you, the fan. The type of sh*t I’d want to read about my favorite songs.<span> </span></p><p>But it's late so I sleep now. GOODNITE!!</p><p><br> </p></div>
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  <a href="/blog/blog/7549659/the-wacky-story-behind-turn-away">THE WACKY STORY BEHIND TURN AWAY</a>&nbsp;
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  <div class="message"><p>tues, mar 25, 2025, 9:23 pm</p><p>i thought now that i have this blog it might be fun to breakdown some of my most popular songs. talk bout the inspiration, writing and recording.</p><p>well turn away is a crazy one because it was written in a lesson with a student to show them how to write a song. i said: “ok let's take this basic chords: G, Dm, Am and C!” i said “well ain't that swell, these chords are classic and sound good! but what if we want to spice them up a little bit?? what if we want to play different <i>voicings?!</i>”</p><p>So i went up to neck to the 10th fret and played that Cmaj kind of voicing but with the B and E strings OPEN. “Doesn't that sound better!?” i said to the girl</p><p>And damn it did sound better. I was sliding those chords around thinking “this is really nice.” I was espesically captivated by the Dm to Am change. Well those chords weren't just normal Dm and Am anymore because they had the open high strings in them. </p><p>I pulled out my phone and started recording, demonstrating my process. “Aight aight” I said to the student. “At this point I'd make a little demo and just scratch vocal on top of it trying to find a good melody.”</p><p>Well the Turn Away melody isn't really crazy it's mostly one note. But I think the chords are doing most of the work. At some point this student, already shy, is just watching me get really absorbed into making this song.</p><p>This must've been last year, sometime in 2024, when I was deep into this philosophy of “do it quickly”. You know, write quickly, record quicker. Don't do a million takes. Do one take and if it sounds f*cked, then that's fine. Because you don't get Alex G sloppy vibes by being a perfectionist. (And we want the Alex G vibes ofc). </p><p>So anyway I don't get many concrete lyrics out of that lesson and the next day before work I sit down at my computer. We were suppose to release Grows On Trees that Friday but I was forcing the producer to go back and fix the bass levels. So it wouldn't be ready. So I needed something to release (this was self-imposed, of course. The only deadlines were placed by me. There was no label or fans breathing down my neck).</p><p>“What the heck do I have to record???” I asked myself. “Well I guess I could do that thing we did in the lesson yesterday.”</p><p>We had tried to write a second section for Turn Away but it wasn't happening. It didn't need it. I still had no real lyrics for the song and I only had an hour or two before work.</p><p>I did the guitars. Two acoustics and two electrics (I believe with the Gretsch) hard panned as usual.</p><p>And for the vocals I just kind of winged it. I wasn't sure if it worked but the syllabic sounds seemed to fit. “I'm your man, better love me while you can” all that. It could just have easily have been something different. Doubled the vocals. One take each. Went out to test the mix in the car. Fixed some bass levels. Did a master. Tested it in the car. Came back and tweaked a few things. And it was done.</p><p>Art??? I didn't have any art. But I had some pictured from an old photoshoot my old roommate had done in my office. Same place I make all the tunes. The best photo would work. Turn Away… to drop that very next day. And the people liked it. And so my <i>work fast </i>philosophy was vindicated. Modern World had that same kind of approach. But I've moved a bit away from it since then. Maybe I should go back.</p><p>That is the story behind TURN AWAY, Watson's biggest hit to date! Thank you student who needed to know how to write songs… though I believe she still hasn't written one to this day :(. </p><p> </p><p>sincerly</p><p>watson</p></div>
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  <a href="/blog/blog/7549652/mar-25-2025-9-00-pm">Mar 25, 2025 - 9:00 PM</a>&nbsp;
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  <div class="message"><p>Get home from work eager to write for the new blog. That is this blog.</p><p>We work at a music school for mentally deranged students (don't be offended if you are one of them reading this now). I even mentioned today in the massive group lesson. “BLOG FEATURE ON THE WATSON WEBSITE NOW” but I doubt (and hope) they will not come seeking this out. This blog is for the REAL FANS, to whom I – the watson behind the music, am not a real person but some obscure internet artist. Because once you know someone as a person you can't really become fascinated with them in that same way. Or at least, the more you know them, the more you understand, the less fascinated you become. </p><p>So if you, as a fan, pour thru every word of every blog post (there are sure to be thousands), you will not have a real picture of me as a person. Not as much of an idea as if you had been in a room with me for even a two minute conversation. Don't you think? Because to be WITH someone is something entirely different than reading their words, even if their words are true and genuine and expressive. Because these words, as all art does, points to something beyond human, even as it is the most human thing. And I am interested in this. I am interested in Watson Moon the icon – the enterprise. To the cynical… the “brand.”</p><p>My real life relationships are just like yours. They are complex and they are for me to navigate. But the icon of Watson is for YOU. And I do believe in this ICON. I have the vision, though nobody else does yet. I have a vision of WATSON MOON. A vision you may witness, you may come to love. But not yet. For now there is no one, like I say. There is only people I know in my real life… who will read this and say “Oh that's Matt.” And though I love you all, I say this isn't for you. Because I'm speaking as Watson Moon. And you cannot understand Watson Moon as a fan does. It's like how I understand John Lennon or Kurt Cobain. Not really as a human… but as this… icon is the word I keep coming to.</p><p>Am I INSANE to cast myself in this life – to create this portrait then shove it into your brain. HELL YEA I'M INSANE. But if it doesn't work I'll just be a rambling mad psycho in Skid Row, my other comfort place. It's a win win. I gain it all or lose it all. Either way I live, either way I die. So I offer you this WATSON MOON. I can't help but be him… but he is not quite me… because he isn't flesh and blood. He's like the idea of me to someone who's never met me. A sketch of my personality. An impression. Does that make sense??? That's what Watson Moon is.</p><p>And it's just in the very very initial stages of being formed. Like I said, this is something that only I am harboring. So if anyone I know were to read this… I sound literally insane. But to you fan who read it down the line, you understand. </p><p>Anyway, grappling with my public persona. Everyone must do it in this day and age.</p><p>It'd be great to write in this blog OFTEN. i think it'd be fun. And I hope many many people will read it. But how do I get them over here to read it??? And how to get them to the music??? These are the questions I'm obsessed with every day. With a student – thinking about how to get the music heard. With my doctor.  “You need surgery” he says. “Nah I need success w/ my music” I say. I hope I never relax with it either!! Cuz we MUST get big. There is simply no other option (unless I picture my magical version of skid row, my insane American fantasy I'll tell you all about later). </p><p>BTW i ain't going back and making ANY edits to this shiz so it's gonna come off raw af. i thought that was the point of BLOGS?!! it's pure unfiltered… many not the more refined or concise but i mean whatevz. (its now 9:18 so it took me 18 mins to write all that. is that fast or slow??)</p><p>MUCH LOVE AND OK GOODBYE,</p><p>WATSON</p></div>
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  <a href="/blog/blog/7548567/mar-23-2025-8-41pm">Mar 23, 2025 - 8:41PM</a>&nbsp;
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  <div class="message"><p><strong>Watson here. </strong>Long day of recording our new album today. Last night we fell asleep early. 9pm Alyssa and I were dozing. And we slept long.</p><p>But I should give some background. This is the first entry after all. </p><p>My name is Matt. Aka Watson. Aka The Red Baron. Aka The Gross Shark. I created Watson Moon sometime in 2018 as my other band burned to ashes. Things fall apart. Many many such cases.</p><p>I got in the Prius and went to LA. Why not? That had always been the plan. And my cousin was there. Megan, an actress, soon to find much success. <a class="no-pjax" href="https://www.imdb.com/name/nm4366442/">https://www.imdb.com/name/nm4366442/</a></p><p>I'd already recorded See You Out There, our first full length. Inspired by Bowie I hulled up in my mother's basement eating nothing but peppers and milk. The peppers and milk part was Bowie, not so much the mother's basement.</p><p>Anyway, I'd “finished” it and mixed it myself, a horrendous mix that I pressed on to mail-order 300 CDs (most of which would burn up in a fire – more on that later). I figured I had to have something to show people in LA. I was thankful for my mother letting me stay at her house and focus on writing. I worked at the local electronics shop to save money for the move.</p><p>Crashing on Megan's floor I wasted no time hitting the sunset strip. I handed out the Watson CD's liberally but I found that the market in LA was quite saturated. With my savings I got an apartment in Culver City and start working at the Boys and Girls Club. Calabasas. You know where the Kardashians and Drake live.</p><p>There I wrote The Great American Novel. <span style="color:rgb(0,0,0);">Since my collaborators were still in Seattle, I'd fly up to record drums, saxophones, keys, and vocals</span>. Rob and Andy, of the Seattle band High Pulp, were deeply in the project. Gabija too, a Lithuanian ex-patriot trained in the veteran bars.</p><p>Drew, a pilot and radio DJ, mixed the record as we went along. He is a great man who BOUGHT his own house in West Seattle. In THIS economy? The man is incredible.</p><p>The trips to Seattle became my sanctuary as life in LA became increasingly intense. I took another job delivering illicit marijuana in Beverly Hills. When the lease expired on our apartment we left the furniture on the sidewalk and I moved to an “artist collective.”</p><p>In those days, before Covid decimated them all, there were several of these huge collectives in LA. Basically you'd pay $800 for a pod in a wall. These were curtained inlets, all in a row, large enough to sleep in but not much else. With a cubby outside them to store all your earthly belongings. These places were popular with artists moving to LA from all over the country who wanted to test the waters and live among other creatives before renting an apartment.</p><p>Included with the rent was the ability to book time in their custom built recording studios. So here I wrote and recorded another album, unreleased now and likely forever. “My Life In The Shallows With Ghosts," we called it.</p><p>When Covid hit I was relieved. I had just sold my amp and didn't know how I would pay the next month's rent. I must've not been working enough hours. In any case, the company designated our house (there were several) the “quarantine house” and everybody healthy was ordered to leave. I returned to my mother's basement for the last time. She would sell the house soon after.</p><p>In the dark depths of the quarantine I wrote a lot. Hundreds of songs. These were strange times. Most of these songs are still unreleased but a few have come out: “Annika” “This Is No Time To Dream” …</p><p>Eventually we would complete another album from the best of this material. “Sometimes In Tehachapi,” named after the city we later completed it in. Finished 2023 and as of now still unreleased, though I hope it will someday see the light of day.</p><p>As insanity gripped us all after months of isolation, I had a choice to make: put my roots back down in Seattle or get in the car and drive back to LA. An LA friend had a lease overlap and therefore a vacant apartment for a few weeks. She offered it to me. I took the offer and rocketed homeward.</p><p>Long intense times as Covid continued and I blew my stimulus money on very stupid things. Very stupid things and activities I won't talk about here. That's for the deep dive post. (Are you guys interested in those???) This is the general story. When the lease of that LA apartment ended I moved to Orange County to stay with Joe, a very old friend.</p><p>And there I was in Orange County. “I'll start working again,” I said. And I did. I got a nice place with a big yard and even got a kitty cat from the local animal shelter. “I'm finally settled down,” I thought.</p><p>And it was true. In this current home, since late 2020, I've set up a studio and written/recorded all the songs you probably know. All of PPBOTS was recorded here. </p><p>So that is the story. The last few years have been very chill compared to the previous ones. And I'm blogging up a storm!!! Surely I will continue to blog and this will not be the only post!! Surely!</p><p>But anyway that's the backstory to what I did today.</p><p>Woke up with Alyssa at like 9AM or sum and we made some bagels with that interesting lemon pepper seasoning. Then we went to the library and RECORDED!!</p><p>The main songs I'm working on now are called:                      (working titles)</p><ul>
<li>Poor Old Tuko (or Tuko Says)</li>
<li>Concrete and Cobblestone</li>
<li>At Least It's Simple</li>
<li>What's The Difference (Come And Take My Gold) (not very far along yet at all but I like a lot)</li>
</ul><p> </p><p>All of them are close to done except for drums. I always have to do drums last because I don't have a recording setup for drums here. So I either go to Alyssa's Alesis <i>Nitro Max</i> E-Kit or up to Eagle Rock to do IRL drums with Rob. Sometimes I even get a Fiverr drummer to help me out. I forgot all about that, I haven't done it in awhile. </p><p><strong>Rob's on:</strong></p><p><i>Sadie, Leave Your Husband, Fly In The Aeroplane High, Cornered In The Alleyway, Zoomer Girl</i></p><p><strong>The Alesis is on:</strong></p><p><i>You Look Like Someone I Knew, What's The Temperature, O Vegas</i></p><p><strong>And the Fiverr Drummer guy I always use is on:</strong></p><p><i>Anne Marie, Bad Science</i></p><p> </p><p>Anyway that is not really useful info except for the NERDS who are obsessed with Watson (there aren't any YET). But I'm hoping there will be some at some point! Like I read all of Billy Corgan's livejournal writings with fascination. I hope to someday inspire kids to read mine just cuz they love the music and want to know more about it. </p><p>Trying to think about what we actually did musically today…. I recorded the bridge of Poor Old Tuko and tried to splice it in. Living in my current house kinda sucks because we can't record anything past 9pm. We got early sleepers. And, like most of you, I feel most inspired at NIGHT. So I guess ya'll getting BLOG POSTS instead of SONGS now lmao!!! </p><p>Aight I'll sign off for now but hopefully will post again very soon!!! (btw its now 9:26 so writing all that took aprox 45 min…. is that fast or slow writing??</p><p><br>Love,</p><p>Matt</p></div>
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